The Nap, Broadway’s latest laugh from London, tries to fool us and sometimes does, though not in ways playwright Richard Bean might have intended. Teased with the appealing prospect of an evening of Martin McDonagh-lite, we’re quickly handed a cartoon con job. No offense to Snooker fans here, there or anywhere, but a comedy built around the game’s intricacies and milieu is bound to lose some bite when rules need more set-up than jokes. Well-reviewed in London, and with…
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